In Chapter 6, the author showcases the efforts that Western
media conglomerations have made to penetrate foreign markets and to create the “global
popular”, through various strategies. With the help of Western globalization,
they were able to reach beyond the elites and into mass foreign audiences in
developing countries, helped with the creation of a multitude of satellite and
cable television channels. This had positive consequences, since it led to a
huge growth in the media industry and the creation of many jobs in all areas
that are related to media and media production. Another positive effect evoked
is the potential for the promotion of democratic principles, freedom of speech,
equality and universal human rights. Opening up to foreign markets also allows
citizens of developing countries to discover a wide variety of programming and
have more choice. It has also influenced journalism, since news organizations started
to adopt a liberalist, independent (from the government) format in many areas
of the world. Moreover, content creators such as authors and filmmakers had
platforms that were willing to publish/broadcast their work, sometimes in
multiple languages.
All of these changes are undeniably positive and have served
to greatly improve the media industry. Ultimately, because of the huge
influence of the media, it has contributed in changing people’s daily lives for
the better. But nevertheless, all these positive changes remain the product of
Western involvement, and is the result of Western dominance when it comes to technology
and media infrastructures.
I think this is similar to the dependency theory, as the
credit for the development of culture and production of content in developing
countries is only attributed to either their adoption of Western models or to the
Western influences themselves directly investing and involving themselves in
that market, making any development depending on Western states.
This personally reminds me of something that is common in
Morocco, with the fact that the overwhelming majority of Moroccans that are
internationally known or have succeeded on a global scale, are either born
abroad or have been able to succeed because they had an opportunity that came
from abroad. Still, Moroccans take credit for them as Moroccan success stories
and proof of the development of Morocco on the international scene. I think it
is the same logic as thinking entertainment and media platforms in developing
countries are improving when the sole reason for that improvement comes from
outside Western involvement. It might be considered development, but it will always
be seen as a development that was dependent on a Western model and on Western
thinking.
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