ASFF: Short Film Screenings
The first event that I attended was the screening of the
short film festivals. The night started with the showings of the documentary
features, followed by the fiction features. I was pleasantly surprised by the
quality and the creativity that was displayed. The documentary subjects were
all very touching, and I liked the diversity of the subjects going from
electronic festivals to hacking to an orphanage to the individual personal
journeys of people.
I was very proud of what AUIers made and particularly of
Soulaima’s documentary, especially because she was actually my teammate all
throughout the introduction to filmmaking class that we took, so seeing her
progress from the beginning was great. I thought her documentary was the best
story-wise.
The fiction short films also showcased the talent of young
filmmakers in Morocco, who were able to tell great stories with such a limited
budget and time length. I especially noticed the influence of Western ideas from Western productions, but I thought they were well-adapted to the Moroccan context in general.
Overall, I thought this event was very successful.
ASFF: Burnout Screening
The next event I attended was the screening of Noureddine Lakhari's movie, Burnout, followed by a discussion with the director and some of the actors.
The movie was great, and followed Lakhmari's tradition of telling individual stories of pain and tragedy with Casablanca as a backdrop. Although this movie was certainly more daring than his previous ones, it is consistent with Moroccan filmmakers pushing away from the limits of censorship more and more.
I also noticed here the pattern of depicting the rich, privileged elite of Casablanca as living like Westerners, using foreign cars, displaying foreign art, and speaking French almost exclusively, while the working class was the one depicted as speaking the local language, wearing traditional clothes, and listening to local music. This movie did not shy away from showing the huge influence of the West in what our society considers as "high class" culture.
I really enjoyed the talk after the movie, and getting the opportunity to hear about the behind-the-scenes feelings and impressions of the cast while filming the movie, and after its reception by the Moroccan public. It was also a very important discussion when it concerns the state of Moroccan cinema.
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